Listed Building record MDO9158 - Parish Church of St Mary, Charminster

Parish Church. C11 core at east end of nave, later C12 arcades and part of south walling. C15 widening of east half of south aisle to form south chapel. C16 west tower and north and south vestries, and south porch. Chancel demolished in C17 and rebuilt c1838. North aisle rebuilt later in C19. General restorations in 1838-9 and in 1895, when roofs were renewed. Local rubble stone walls with some flint coursing, limestone and Ham Hill ashlar. Lead roofs, chancel and north aisle roofs of slate.

Parish Church of St. Mary, Charminster was probably built on a cruciform plan in the 11th century with chancel and transepts projecting from a crossing or nave, wider than themselves. Parts of the east wall of the present nave and the responds at the east end of the arcades survive from this period. The present north and south arcades and part of the south aisle date from the late 12th century, and the chancel arch was inserted at the same period. Extensions and reconstructions were carried out on the church during the 15th to 17th centuries including the building of the west tower in the 16th century. Further rebuilding and general restorations were undertaken during the 19th century. Plan. <3-4>

Shipp, W, and Hodson, J W (eds), 1863, The History and Antiquities of the County of Dorset. 3rd edition. Volume 2, 543 (Monograph). SWX1269.

Dorset Natural History and Archaeological Society, 1897, Proceedings of the Dorset Natural History and Antiquarian Field Club for 1896, xlv-xlvi (Serial). SDO10.

Mr. ALBERT BANKES exhibited three photographs of the Church, and read some notes on the subject, of which the following is an epitome :
" The Golden Prebend of Bere and Charminster,' as it was anciently called, included the Manor of Charminster, the rectories of Charminster and Bere Kegis, and tithes on several parts of the parish of Charminster. Owing no doubt to the great value of the living in those days, Charminster Church must have been served by a very superior class of rector, as we note in Hutchins that between 1375 and 1448 no less than three rectors of Charminster were raised to the episcopal bench ; but in the 21st year of Elizabeth the tithes of Charminster, Stratton, Grimstone, Poleston, and Forston were granted to Sir Christopher Hatton. Thus, to quote Hutchins, ' This rich prebend was dissipated, and the Church robbed of a noble preferment by the rapacity of courtiers and the avarice of private persons.' In 1650 Sir Thomas Trenchard, Kt., had bought the tithes, and the magnificent stipend of 9 4s. 8d. was paid by the Trenchards to a curate for reading the Common Prayer in the two churches of Charminster and Stratton, nearly two miles apart. Whether the unfortunate curate had to preach a sermon in addition to reading the Common Prayer AVC are not told. About the time of the civil wars the chancel, 28ft. in length, was demolished, the arch walled up, and an east window placed in it." In the restoration carried on it was decided to divide the work into three divisions in order that no debt might be incurred : (1) The Nave and South Aisle ; (2) The North Aisle ; (3) The Chancel. A considerable sum was collected, chiefly in Charminster, and the work of removing the gallery over the western arch, and underpinning the walls, proceeded with. In stripping the cement off the exterior of the walls four Norman windows, blocked up and forgotten for at least 350 years resembling those in Studland Church, near Corfe Castle were discovered in the original clerestory. These windows are only 5^111 . wide on the outside, but open out considerably on the inside. On the removal of the upper layer of plaster on the inside of the church a number of black-letter texts of the Information period appeared, arranged in various devices. In the S.E. angle of the south aisle an Early English piscina in good preservation has been found. Now that the tower arch has been opened out, and the ground excavated so as to show the full height of the Norman columns, the true proportions of the church are beginning to be seen, and there is every promise of its turning out a dignified and really fine structure. But it will be a great pity if the funds will not allow of the tower and north aisle being also restored without delay, as also the chancel, or else the general effect of the building will be seriously injured. Since the above was written another most interesting find has been discovered namely, the winding staircase in the middle of the wall, leading from the corner in the north aisle to where formerly stood the rood-loft. The approximate estimate for the complete repair of Charminster Church has just been given to me by our energetic and business-like lion, treasurer and secretary, Captain Dymond. First estimate for repair of nave and south aisle, 1,297 ; 2nd estimate for north aisle, 997 ; 3rd estimate for chancel, 1,206 total, 3,500.

Dorset Natural History and Archaeological Society, 1898, Proceedings of the Dorset Natural History and Antiquarian Field Club for 1897, li-liii (Serial). SDO11.

A short account of the very successful restoration of Charminster Church," by W. Albert Bankes, Esq., which is given below :
" I feel that the parishioners of Charminster owe so much to the Field Club, and to the Rev. Sir Talbot Baker, Bart., in particular, for the interest they took and the advice they gave prior to the commencement ot the restoration of Charminster Church, that the least that we can do is to acknowledge our indebtedness to the club, and to state in as few words as possible the almost miraculous change that has taken place in this church, both externally aud internally, during the amazingly short period of some eight months. This time last year a hideous gallery altogether blocked out the beautiful western arch supporting the tower. The pillars, stonework, and walls were inches thick in whitewash, the roof leaked like a sieve, and the pews were of the worst and most uncomfortable loose-box style. Some 3,000 was the sum required to improve this state of things, and where was so large a sum of money to come from. But in England any project which is practical and really wanted seldom fails from lack of funds. In the case of Charminster Church the greater part of the money was raised in the parish itself, the remainder being given by outside friends or made by bazaars, concerts, and collecting cards. The work owed much to its committee, Mr. Ponting, the Diocesan Architect, Mr. Merrick, of Glastonbury, the builder, Captain Dymond, the energetic treasurer, and last, but by no means least, to the almost total absence of wet until nearly the completion of the whole work. On scraping the walls several texts were found under the whitewash. They seem to have been painted up anywhere and anyhow, and some are perfectly crooked. Over the chancel arch is a very rough fresco of our Lord carrying a pennant and hold in" out His hand in blessing a kneeling figure. Over the fresco were the Commandments (not the Prayer Book version), and later still, on the top of these, the Royal Arms. Four Norman slit windows, two on each side of the nave, were discovered, re-opened, and glazed, and add to the general appearance of the church, as well as making the interior of the building much lighter. A squint was re-opened on the north side of the chancel arch, as also the top and bottom doorways of the old roodloft staircase. I cannot do better than here quote from a letter I have recently received from Sir Talbot Baker : " I do not wonder," he writes, " that the work meets with universal approbation. I myself was astonished at the way in which effects were produced in the church. I had no idea how much longer the body of the church was made to look l>y the lowering of the floor and the raising of the roof. The north aisle, too, is rendered a quite suitable adjunct to the church by the same process. None but an expert, perhaps, would find out that it was built, not at the date it represents namely, the latter part of the 15th century but in the early part of the 19th. The two wings of the tower come out very effectually, and I think are quite unusual features in a parish church. Mr. Mayo, of the Somerset and Dorset Notes and Queries, said in his experience they were unique, but above all the best has been made of the chancel difficulty. It looks to my eye quite suitable." Such are the flattering remarks of Sir Talbot, and his concluding words as to the solution of the chancel difficulty is my main reason for writing on a subject that the Field Club might at first have thought too local for me to have troubled them with. Our difficulty was this : The old Norman arch was too low and narrow for musical purposes. With a full choir there was no room for the singing to get out, so that whilst the clergymen when doing duty in our chancel complained that their heads were nearly split in two by the chanting and hymns, there was scarcely sound enough in the body of the church to lead the singing, and I have known the organist in the west gallery being forced to give up accompanying the choristers as a bad job, and then the choir lost courage and the hymn broke down in the middle. Prior to the restoration of the church the committee had to face this difficulty. Some were for pulling down the old Norman arch and replacing it by a high Gothic arch similar to that at the west end. Others said if the Norman arch was touched they would neither subscribe a penny nor ever enter the church again. A deadlock seemed imminent, when someone suggested ' Let us ask the opinion of the Field Club.' The matter was laid before the club at a winter meeting some two years ago. Valuable suggestions were made by several members, and Sir Talbot Baker most kindly consented to inspect the church and give us the benefit of his opinion. The result was that the difficulty was most amicably and successfully solved by the arch being left untouched. The choir stalls were placed at the west side of the chancel arch in the nave, and the chancel now only contains the Communion table, the voices and organ now being in the body of the church. The singing is all that could be desired. Until the nave and aisles were completed in September last the intention was to re-build our chancel at its original length, but everyone visiting the church is now of opinion that we had better leave well alone. At Montacute Church, near Yeovil, in Somersetshire, the choir stalls are arranged on the west side of the arch as now at Charminster, but they have a long chancel with pews on either side, the occupants of which look very out of place, sitting between the altar and choir, and as for hearing the sermon, that is quite out of the question for them, and they might just as well remain at home. In conclusion, then, the moral of this story and the object of this paper is to suggest the desirability of not leaving our parish churches to the mercy of local clergy, churchwardens, or parishioners, but, following our example in Charminster, advice should first be sought at the hands of some committee or body of people interested in such matters, such as our Dorset Field Club in a county like Dorset, which luckily possesses a Field Club, or where, as in benighted counties, there is no Field Club, then some committee of archaeologists should be formed to preserve churches from ruin and the parishioners from unseemly squabbles."

Dorset Natural History and Archaeological Society, 1913, Proceedings of the Dorset Natural History and Archaeological Society for 1913, xxxix-xl (Serial). SDO18633.

A start was made from Dorchester, the first halting place being Charminster Church, where the Club was received by the Ven. Archdeacon DUNDAS, who had prepared a paper dealing with the architectural and historical features of the building.
The oldest parts of the church, the ARCHDEACON observed, were the nave and the chancel arch, dating from the third quarter of the 12th Century. The clerestory contains, not only six Perpendicular windows, three on each side, inserted in the 15th century, but also, between them, four small Norman windows, two on each side. These were discovered and opened out in the course of the successful restoration effected in 1897 under the direction of Mr. Chas. E. Ponting, F.S.A. The south arcade was remarkably like that at Bere Regis, so like as to suggest that the same architect was responsible for the design. Although the arches of the bays were pointed, yet it was erroneous to suppose that they were of later date than the semi-circular chancel arch. The original chancel, 28 feet deep and wider than the present one, was pulled down in the Civil Wars under an agreement between the impropriator and the parishioners. The existing chancel, neither large nor interesting, was built only 80 or 90 years ago. Attention was called to such other features as the handsome panelling in Ham Hill stone of the soffits of the three tower arches, the hagioscope, the original stone newel staircase leading into the roodloft, and the two beautiful 15th Century canopied altar tombs of the Trenchard family, now standing in the south aisle ; the Jacobean pulpit, and the ancient texts and decorations in fresco on the wall, including a diapering in a conventional treatment of what Mr. Micklethwaite pronounced to be a Spanish pomegranate. The north aisle was rebuilt, of the same width as the nave, in 1838, when the original Perpendicular windows were reinserted. The oak altar rails, the Archdeacon continued, were carved by the late Rev. C. W. H. Dicker.
Outside the church door the Archdeacon pointed out the priest's sundial, meant to show the time of the early Mass ; but chief attention was claimed by the tower, erected about 1500 by Sir Thomas Trenchard, of Wolfeton, whose initials, the Old English double T, in monogram, appear in no less than 24 places.
Mr. ALFRED POPE, F.S.A., spoke upon a most interesting find recently made a portion of the shaft of a 15th or 16th century cross, originally an unequal-sided octagon, embedded in the western end of the churchyard boundary wall. By the Archdeacon's leave it has lately been taken out and placed against the southern wall of the church a welcome addition to " The Old Stone Crosses of Dorset."

Le Pard, Gordon, 1998, Medieval sundials in Dorset. Proceedings of the Dorset Natural History and Archaeological Society 119, 74 (Article in serial). SDO21411.

<1> Ordnance Survey, Ordnance Survey Map 6in, 1903 (Map). SWX1540.

(SY 67929270) Church [NAT]

<1> 1946, The church of St. Mary, Charminster (Monograph). SDO18254.

<3> Royal Commission on Historical Monuments (England), 1970, An Inventory of Historical Monuments in the County of Dorset, Volume III (Central) Part 1, 60-63 (Monograph). SDO146.

‘(1) THE PARISH CHURCH OF ST. MARY is built of local stone rubble with some flint coursing, coursed rubble and limestone, and Ham Hill ashlar (Plate 121). The roofs are lead-covered, except those of the chancel and the N. aisle which are slate-covered. An 11th-century church is represented by parts of the E. wall of the present Nave and by the responds at the E. end of the arcades; the S. respond partly retains its original thickness but that to the N. has been pared down to match the thickness of the present arcade, which is later. The 11th-century building was probably cruciform, with chancel and transepts projecting from a crossing or nave, wider than themselves. Four small clearstorey lights in the present nave must be survivals from the original building since they do not correspond with the spacing of the arcades. The present N. and S. arcades and part of the South Aisle date from the late 12th century, and the chancel arch was inserted at the same time. The E. half of the S. aisle was widened and extended E. in the second half of the 15th century to form the South Chapel, and the S. doorway and an adjacent window are of about the same date. In the early 16th century, part of the S. chapel was again extended to provide space for a canopied table-tomb. The West Tower was built by Thomas Trenchard, probably during the second quarter of the 16th century, and the North and South Vestries are of the same date. The Chancel was demolished in the 17th century and rebuilt c. 1838, the 17th-century window which had previously been set in the blocking of the chancel-arch being reset at the new E. end. The North Aisle was rebuilt later in the 19th century. There were general restorations in 1838–9, and in 1895, when the roofs were renewed.
The church is of considerable interest for its 11th and 12th-century features and for its noble 16th-century tower. The early monuments are important, and surviving fragments of 16th-century stencilled wall decoration are a rarity.
Architectural Description—The Chancel (17½ ft. by 16½ ft.) has a 17th-century E. window reset inside-out; it is of four lights with vertical tracery in a four-centred moulded head with moulded splays and has a chamfered label, now on the inside. In the N. wall a 19th-century doorway with a three-centred head and keystone has been converted into a window. The reset window in the S. wall is of the 16th century; it has two four-centred lights in a square moulded head with moulded reveals and label. The chancel arch is round-headed and of two lightly chamfered orders; on the E. side it has a chamfered label and on the W. a label with nail-head ornament; the shafted jambs have a three-quarter shaft to each outer order and a cluster of three segmental shafts to the inner order; the middle shaft has a pronounced keel. The much restored capitals are carved with scallops, enriched with simple foliage and fluting, and the moulded abacus on each side is continued as a string across the E. and W. wall-faces. The bases are moulded and those of the three-quarter shafts have spurs, now badly worn. N. of the arch is a squint, perhaps of the 16th century, with a square head and a modern sill.
The Nave (51 ft. by 20 ft.) retains on the exterior face of the E. wall the weathering of the steeper roof of a slightly narrower chancel; the present parapets, copings and finial are modern. Internally (Plate 6), the 12th-century N. arcade has four bays, each with a two-centred arch. On the S. side each arch is of two plain orders with a continuous label with nail-head ornament, on the N. side it is of one order with a chamfered label. The arches spring from columns with scalloped capitals, with volutes at the corners, and moulded bases on square sub-bases, with carved chevron ornament; the E. and W. responds are square. The carving of the capitals consists of numerous shallow scallops; two have angle volutes to bring the round to a square. At clearstorey level, towards the E. end, is the upper doorway to the rood-loft; it is of the 15th century with a square head and plain jambs, the rebated W. jamb being cut into by the E. splay of the adjacent clearstorey window. This window dates from the late 15th century and has two trefoil lights in a square head. A little further W. is a splayed round-headed light of c. 1100, decorated externally with a continuous band of chevron ornament. W. of this is another 15th-century window, taller than the first but otherwise of similar design; it is followed by a second early 12th-century light and, towards the W. end, by a third 15th-century window like the first. The westernmost 12th-century light and a similar one opposite to it in the S. wall are not central with the arcades below. The S. arcade of the nave and the S. clearstorey are similar to those on the N. except that the E. respond is notably thicker than its fellow and than the spandrel above it; the extra breadth shows that the responds are surviving parts of the antecedent nave. The column bases have spurs and the head of the easternmost window is probably a restoration. Supporting the roof ridge-piece and trusses are a number of reset 15th-century corbels: busts of angels holding shields or with clasped hands, human busts, grotesques, a king, a jester (?), and one with a head on the side and, on the front, a representation of a woman in horned head-dress standing beside a table with a cup. The W. wall of the nave includes the boldly projecting tower buttresses flanking the tower-arch; they have small plinths and weathered off-sets at two levels, one on the E. face at clearstorey sill-level, the other on the S. and N. faces just below the wall-plate.
The North Aisle (20 ft. wide) was rebuilt in the second half of the 19th century; the E. and W. ends are gabled and a 12th-century corbel carved with a grotesque head is reset as a kneeler in the W. gable; a similar kneeler at the E. end is perhaps a modern copy. The E. window is of 15th-century date, reset; it has two cinquefoil lights in a square head with a moulded label and head stops, one a man, the other a woman with horned head-dress. The rood-stair in the S.E. angle is a 15th-century insertion; the lower doorway has continuous hollow-chamfered jambs and a high four-centred head; the vice is lit by two chamfered rectangular loops. The four reset windows in the N. wall are all of the 15th century, with modern repairs, and similar to the window in the E. wall. In the W. wall is a modern segmental-headed opening to the N. Vestry, which abuts the N.E. side of the tower; further N. is a doorway of 1895.
The South Chapel (28½ ft. by 14½ ft.), occupying the widened E. half of the S. aisle, is also known as the Wolfeton Aisle. Except for the shallow early 16th-century S.W. extension it dates from c. 1470, but the parapets and copings are modern, like those of the rest of the aisle. The E. wall contains a 15th-century window of three cinquefoil lights in a square head below a moulded label with head-stops. N. of the window is the opening to a squint with chamfered jambs and a square head; it is probably of the 15th century and it was blocked when the original chancel was destroyed. The S. wall has, toward the E., a much restored three-light window contemporary with and similar to that of the E. wall; further W. a crudely turned depressed arch spans the recess-like 16th-century extension. Externally the recess is capped with weathered ashlar; in its S. wall is a 16th-century window of two elliptical-headed lights in a square head with chamfered reveals. Inside, supporting the chapel roof are three reset corbels, perhaps from the later 12th-century structure, one carved with a bull's head. The rest of the S. wall of the South Aisle (7¼ ft. wide) is probably of 12th-century origin. The late 15th-century S. doorway has a two-centred moulded head and continuous moulded jambs with run-out stops and a triangular chamfered rear-arch. W. of the doorway is a 15th-century three-light window, uniform with the E. window of the S. chapel. The S.E. buttress of the tower projects into the N.W. angle of the aisle.
The West Tower (12½ ft. square) bears in many places the monogram shown below; presumably it is for Thomas Trenchard. The tower is of three stages, with a moulded plinth and moulded strings which are carried round the angle buttresses and the octagonal vice turret at the N.W. corner (Plate 121). The embattled parapet has a moulded string interrupted by seven gargoyles. Crocketed pinnacles stand at the corners and in the middle of each side and are also continued up from the tops of the buttresses; the vice turret is higher than the main parapet and has eight smaller pinnacles and a central pedestal for a weather-vane. The buttresses, of four weathered stages, end at the level of the belfry window labels; those flanking the turret merge into it at the second weathering. Trenchard's monogram is carved on each stage of the W. buttresses, those of the lowest stage being inlaid in lead. Inside, the tower arch has a two-centred head and continuous jambs with spur-stops; reveals and arch-soffit are decorated with pairs of cusped ogee-headed stone panels in two heights, the lowest panels having shields carved with the double T.; the arch is of Ham Hill stone down to stoplevel; below it is of Purbeck stone. In the N. and S. walls are arched openings to the N. and S. vestries; they have panelled reveals like the tower arch and the Trenchard monogram again appears on shields in the lower tier of panels. The W. doorway has, externally, a moulded four-centred head and continuous moulded jambs with pedestal stops, all in a square surround formed by diagonal side-standards and a moulded string across the head. Each traceried spandrel includes a quatrefoil containing a shield with the double T.; the segmental rear arch of the doorway is plain. The W. window has five transomed lights with four-centred openings below and ogee cinquefoil openings above the transoms; the high four-centred head contains vertical tracery; head and jambs are casement-moulded and a moulded string is carried up over the head as a label; the rear arch is four-centred and chamfered. The W. face of the second stage of the tower is pierced by a small rectangular window with moulded head and jambs. The third stage contains in each face two two-light, double-transomed, square-headed belfry windows with square labels; the main head and jambs are casement-moulded and all the lights have elliptical heads and are filled with pierced stone panels. On the N. side some panels have the form of grotesque masks with pierced mouths and eyes. Access to the lead roof from the stair-turret is through a doorway with rebated triangular head and continuous jambs.
The North and South Vestries (respectively 12½ ft. by 10 ft. and 13 ft. by 9¾ ft.) flank the W. tower and are contemporary with it. In general they are uniform; on the free corners are two-stage angle buttresses, those to the N.W. with the Trenchard monogram on the lower stages; a similar square-set buttress marks the E. end of the 16th-century S. wall. The parapet walls and copings are modern and the walls have modern repairs. In the N. vestry, the N. wall has a window of three four-centred lights in a square head with a moulded label and a square rear-arch; at the S. end of the W. wall is a doorway to the tower vice, with a four-centred moulded head and continuous jambs above spur stops. In the S. vestry, the S. wall has a three-light window similar to that of the N. vestry, and in the W. wall is a similar window of two lights.
The South Porch (9½ ft. by 11½ ft.) is of the 16th century, but the porch arch was reconstructed in the 17th century; the parapet wall includes two 16th-century gargoyles and a corbel with the Trenchard monogram, now supporting a modern cross. The porch arch has a nearly round head of two chamfered orders with continuous jambs. The churchyard wall to the S. is of rubble with weathered copings and may in part be of the 16th or 17th century.
Fittings—Bells: six, in modern steel frame; 2nd, by Thomas Purdue, 1663; 3rd, probably by William Purdue, late 16th century; 4th, 1631; 6th, by Thomas Purdue, 1661, recast 1952. Brackets: In N. aisle, in N.W. angle of rood-stair turret, corbel carried on carved male head, 15th century. In S. porch, flanking doorway, two semi-octagonal capitals of Ham Hill stone, 15th century, reset. Brasses and Indents: see below, Monument (3). Chair: In chancel, with turned uprights and carved back, 17th century. Churchyard Cross: Loose against wall of S. aisle, portion of tapered shaft, 3¼ ft. long with chamfered angles, late mediaeval. Clock: In second stage of tower, wrought-iron frame with brass cogwheels, possibly of c. 1700, rebuilt 1896. Font: Circular bowl turning to octagonal below small roll moulding and tapering to roll necking, on straight octagonal stem with chamfered circular plinth and square base, traces of red painting on stem; rim with mortice and dowel-holes for fixings; probably 12th century, recut and reshaped in 15th century. Glass: In S. aisle, in cusping of E. window, fragments including four double roses and pieces of two more, floral patterns, black-letters reset upside-down and IHS monogram, late 15th century. Graffito: On S.E. respond of tower arch, carved devil's head.
Monuments and Floor-slabs. Monuments: In S. chapel, on S. wall, (1) of Grace Pole, 1636, daughter of Thomas Trenchard, wall monument of marble, slate and plaster with effigy of woman in voluminous dress with falling lace-edged collar kneeling at prayer-desk (Plate 34); on each side freestanding Corinthian columns with side scrolls supporting entablature with broken pediment surmounted by seated cherubs and cartouche containing lozenge-of-arms of Pole impaling Trenchard; inscription tablet below with scrolled and jewelled surround flanked by lion masks; semicircular tympanum over effigy enclosing modelled cherubs and clouds, and, in spandrels, cartouches with faded painted crests of Pole and Trenchard; vertical panels behind columns modelled to represent branches from which hang shields with painted arms, now largely effaced, representing on E. side Trenchard and on W. side Pole alliances. Adjacent to the foregoing, (2) of Mary Henning, 1821, and others later, marble tablet; (3) canopied mural table-tomb of Purbeck marble, second quarter of 16th century; front and W. end of chest with moulded plinth with traces of red and purple paint, and divided into traceried panels containing cusped and sub-cusped quatrefoils enclosing blocks for brass shields, now missing; at angles, spirally-turned pedestals below octagonal columns, the latter standing on tomb-slab and supporting flat-arched canopy with moulded cornice, enriched with quatrefoils and capped with blind brattishing; soffit of canopy elaborately traceried and with central pendant; in back wall, indents of brasses, now gone, of kneeling figure with scroll issuing from hands, Trinity, shield surrounded by scrolls, and inscription plate; brass fillet from chamfered edge of tomb-slab also missing. Built into S.W. corner of S. chapel, (4) canopied mural table-tomb, not in situ, of Purbeck marble and of similar form to (3), but dating from rather earlier in the 16th century and more Gothic in style; fascia below canopy divided into two bays of flat four-centred arches with sunk spandrels and cusping; canopy-frieze enriched with square quatrefoil panels; reset in back wall, frieze of four diagonal quatrefoil and sub-cusped panels enclosing blank shields, much decayed. In S. aisle, on S. wall, (5) of Thomas Nicholls, 1822, and others, black and white marble tablet; (6) of Robert Devenish, 1839, sarcophagus-shaped marble tablet with arms and crest of Devenish, by Lester of Dorchester; (7) of John, 1800, and Sara Devenish, 1820, marble tablet by Lancashire and Tyley of Bath; (8) of Martha Devenish, 1836, tablet similar to (6) and by same maker. In churchyard, (9) of Robert Gray, 1656, table-tomb; (10) of Lewes Cockrum, 1660, table-tomb. Floor-slabs: In chancel, (1) of the daughters of Thomas Hawker of Somerset, 1704, 1720, with incised architectural decoration, partly hidden; (2) of Henry Trenchard of Fulford in Devon, 1720; (3) of the daughter of Thomas and Elizabeth Trenchard, 1707, partly hidden. In N. aisle, (4) of Henry Hayward, 1705. In S. chapel, (5) of Thomas Trenchard, 1727, worn and partly hidden; (6) of Mary Henning, 1821, and others later.
Paintings: In nave, over chancel arch, faint traces now unidentifiable but when uncovered in 1897 thought to be scenes from Passion and Resurrection, 15th century. On N. wall, below doorway to rood-loft, areas of stencilled decoration depicting strawberries and strawberry-leaves in red on white ground, early 16th century; over first pier of N. arcade, traces of black-letter inscription from Matthew V, 16; over third bay, rectangular panel with black, gold and red surround containing black-letter inscription from Nahum I, 15, with traces of another painting higher up, all late 16th century; on S. wall, over E. respond, faded and fragmentary stencilled decoration corresponding with the one opposite; over second bay of arcade, fragment of the Apostles' Creed in black-letter, late 16th century; over third pier, fragment of text in rough capitals possibly from I Peter III, 7; over fourth arch, fragment of black-letter inscription possibly from Romans VI, 4 and 5, late 16th century; on W. wall, N. and S. of tower-arch, sepia paintings of trees, that on S. nearly obliterated, 16th century; at wall-plate level, initials in plain capitals. Piscina: In S. chapel, in S. wall, with hollow-chamfered ogee head, continuous hollow-chamfered jambs, shaped dish with boss carved as a halfrosette, and two drains, mediaeval. Plate: includes a cup and cover-paten of 1570 (or 1577, date-letter worn), maker's mark an orb surmounted by a crown; also stand-paten of 1836. Pulpit: of oak, octagonal, with moulded and jewel-ornamented plinth, on modern base; sides in two heights of panelling with enriched framing, rails carved with acanthus and guilloche ornament, stiles fluted and reeded; upper panels with round-headed arcading; cornice enriched with small console-brackets at corners and capped by modern book-rest; pulpit dated 1635 on internal panel. Royal Arms: In S. aisle, painted on wood, in moulded frame, 1757. Sundials: Scratch-dials, one on E. quoin of S. aisle, much worn and inverted, another on parapetwall of S. porch. Weather-vane: On tower, of wrought iron with copper vane pierced with initials T.S. and date 1744. Miscellanea: In S. chapel, moulded stone fragments with nail-head and chevron ornament, 12th century. In vestry, on N. wall, wood panel recording enlargements and repairs to church in 1838 and 1839. At foot of tower, outside W. wall, slab with Lombardic lettering '. . . MEN . . HI . . .'

<4> Newman, J, and Pevsner, N, 1972, The Buildings of England: Dorset, 142-3 (Monograph). SWX1290.

<5> Aston, Michael, and Lewis, Carenza (eds), 1994, The medieval landscape of Wessex, 53 (Monograph). SWX1296.

<6> Urmston, B, 2012, St Mary's Church, Charminster, Dorset. Ground Penetrating Radar Survey Report (Unpublished document). SDO16543.

<7> Wakeham, G, and Black, A, 2016, Church of St Mary the Virgin, Charminster, Dorset. Archaeological Watching Brief Report. (Unpublished document). SDO14668.

<8> Historic England, Historic England Archive, OP24507 (Index). SDO14738.

A view of the tops of windows on St Mary's Church, Charminster. This print was received by the National Buildings Record on 4th May 1945.

<9> Historic England, Historic England Archive, OP24508 (Index). SDO14738.

A view of a sundial etched into the wall of St Mary's Church, Charminster. This print was received by the National Buildings Record on 4th May 1945.

<10> Historic England, Historic England Archive, OP24509 (Index). SDO14738.

A view of the top of the stair turret on the tower of St Mary's Church, Charminster

<11> Historic England, Historic England Archive, OP24510 (Index). SDO14738.

A view of St Mary's Church, Charminster, from the south-west. This print was received by the National Buildings Record on 4th May 1945.

<12> National Record of the Historic Environment, 453493 (Digital archive). SDO14739.

Record last edited

Aug 18 2025 2:47PM